While the means may be slightly obvious, the symbolism behind Una’s transformation is extremely effective in showing the breadth of her anger, hurt, and shame, and also gives an idea of how difficult conquering these kinds of “dragons” can be. Una’s transformation reflects some of the more painful elements of understanding and accepting one’s own mistakes.

Her narrow definition of romance makes it impossible for her to see and value real love and happiness. In the beginning, the princess, though likable enough, is foolish and a bit vain. It is Stengl’s depiction of this transformation that pushes the book beyond a superficial fantasy story. In order to fight against him, Una must find the courage to transform herself and recognize the goodness and pure love in those around her. This reckless decision proves to have terrible consequences when she is betrayed, and the Dragon King, the embodiment of evil, takes over her beloved kingdom. Meanwhile, Una, having been disappointed in two more suitors, is quick to give her heart away to another. Although her father respects and trusts Aethelbald, he ignores the prince’s warnings about imminent danger to Parumvir, and Aethelbald leaves the palace with a promise to return. Although her first suitor, Prince Aethelbald, seems honest and kind, Una is bored by him, and quickly rejects him. As she comes of age, she dreams of being courted by a handsome, dashing prince. The kingdom is Parumvir, and the heroine, Princess Una, a strong-willed, sometimes stubborn girl with a rebellious streak who craves excitement and romance. Using these archetypes in an allegorical plot, Stengl shares not just an interesting, enjoyable story, but also depicts the difficulties and rewards of deep personal growth. With evil dragons, a kingdom in danger, a bold princess, and a noble prince, Heartless, the debut novel by art teacher Anne Elisabeth Stengl, has all the standard elements of a fairy tale that readers expect and enjoy.

Heartless by Anne Elisabeth Stengl